Tuesday, December 4, 2007

Quand on vit la vie en rose


Though I admit in my own opinion it is the most beautiful place in the world, whatever personal experiences/opinions anyone might have, it is decidedly a recurrent theme in romance films. And hey, since I've already set a rather corny mood for the entirety of the blog, I might as well homage the reason I've neglected it so: Paris.

So let us pretend we walk by la Seine in St. Michel, right in front of Notre-Dame, and we think back of all the times we saw this beautiful place in a movie. Some of my favourite film standpoints in this city:

The Audrey Hepburn Selections

Maybe because Audrey was basically the very model of the Parisian fashion style (or heaven knows if it's for another reason), but directors just adored to have her being chic and practising her French in movies. My personal favourite is, of course, Charade (how to forget lovely Audrey walking by the river and eating ice cream next to a delighted Cary Grant?) but How to Steal a Million, Love in the Afternoon, Funny Face and Paris - When it Sizzles do the trick just the same and seem to always give you the fun, cute and endlessly romantic side of the city of lights.

Le Fabuleux Destin D'Amélie Poulain
A movie that's, at least, in the top 5 of cutest films ever made, the story of Amélie's voyages inside the city while doing nice things is nothing short of adorable. A more polite and wacky view of a city that succeeds in being a fun metropolis, it shows a (surprisingly!) different side of the more Americanised version of Paris as decadent and unkind.


As the bells ring
The ultimate story of passion, madness and wild desire, Victor Hugo's The Hunchback of Notre Dame has indeed had many adaptations and, while Disney's is by far the least accurate one, it's the best remembered (indeed it's quite recent) and, ignoring how much crap the book had to endure in this version (a literary work that's much too passionate to be used by Disney at all), it still shows a beautiful reflection of the city, as seen by the impressionable Quasimodo: a work of art that can be bloody and kind at the same time, but never stops being magnificent.

L'Ultimo Tango a Parigi
Well, a movie that has most certainly gathered many different interpretations and most of all opinions (I know many more people who loathe it than those who consider it brilliant) but, in any case, it explores in Paris a subject that's often associated with New York City: loneliness in the intimidating, great big city. Because beauty can be cruel too, specially when you and your small problems have no place in a world that moves too fast to even notice you.

Before Sunset
A film that celebrates Paris almost as much as it compares reality vs. deep romanticism, it's impossible not to associate the city with the latter while watching. After nine years without hearing a word about her, Jesse bumps with Céline all of the sudden in the very capital of beauty. As we follow them through the streets, corners and on a wonderful boat ride, we fall in love with Paris almost as much as we do with love itself...

Moulin Rouge!
The Paris of Moulin Rouge! has a little bit of every description: it's a city of decadence, insanity, happiness, horror, great passions, incredible stories, misery... truth, freedom, beauty and above all things, love. Besides, it explores another theme rather commonly associated with Paris, which are the so-called "creatures of the night" (should we blame Dumas fils for that cliché?) In any case, it's a "splendiferous" view of a city doomed to decadence as it sees its best moment pass by...

Casablanca
I do believe, from the bottom of my heart, that the image of romance and idealisation the world has with Paris comes from this film. I don't pretend to deny that Casablanca is a full shot of anti-Nazi propaganda, but it is handled so perfectly there's no need to excuse it on the slightest: after all, it's a film that continues alive to this date for its romanticism instead of its political views. In it, we see Paris as a place of past happiness, freedom, unattachment... an idealised past with an idea of the many "what if"'s that come with a war. And, in my humble opinion, we have exactly that to thank for the current idea the world has of this beautiful and, yes, magical city.

Thursday, October 25, 2007

1. The “Loverly” Heroine

"I was born with an enormous need for affection, and a terrible need to give it."

What could I possibly say about Audrey Hepburn that hasn’t been said a thousand times, more articulately and accurately? Exuding a sort of elegance that should have been intimidating, the ever-stunning Audrey came off as anything but: a woman as sweet as could have possibly be, with a heart bigger than herself, a humanist, a beauty... Audrey had it all, and will remain forever ageless. Hollywood's very own Fair Lady.

Favourite performance: Breakfast at Tiffany’s
Favourite films: Charade, Breakfast at Tiffany’s, How to Steal a Million, Two for the Road
Leading men of choice: Cary Grant, Peter O’Toole

2. The Violet-Eyed Temptress

“When the sun comes up, I have morals again.”
A star from all sides - causing controversy throughout her entire career, (and even now, post retirement) enlightening the world with her talent, lifestyle and love affairs; Elizabeth Taylor, the most beautiful woman ever filmed, made the world her playground... and we cheered her for it.

Favourite performance: Suddenly, Last Summer
Favourite films: Who’s Afraid of Virginia Woolf?, Cat on a Hot Tin Roof, Cleopatra
Leading men of choice: Montgomery Clift, Richard Burton

Monday, October 22, 2007

3. The Haunted English Rose

"Scorpios burn themselves out and eat themselves up and they are careless about themselves - like me."

Burning with double passion - that of her disease and the curse of her astrological sign, (my fellow November 5th Scorpio!) Vivien Leigh was not only a struggling soul, a great actress and a delicate beauty - she was, and remains to this day thanks to her loving fandom, an icon.

Favourite performance: Gone with the Wind

Favourite films: Gone with the Wind, A Streetcar Named Desire, Waterloo Bridge

Leading men of choice: Clark Gable, Laurence Olivier


Sunday, October 21, 2007

4. The Tormented Soul

"You know what I want? I want yesterday."

With an unenviable childhood that drove her to a lifetime of psychiatrists (dealing with a mass of phobias, including that which proved fatal), an unavoidable talent, impressively innocent and delicate beauty and an incredible knack for moving forward despite all difficulties, Natalie Wood deserves every moment of attention ever given to her by anyone.

Favourite performance: Splendor in the Grass

Favourite films: West Side Story, Rebel Without a Cause

Leading men of choice: James Dean, Warren Beatty

Saturday, October 20, 2007

5. The Belle of Sweden

"I've gone from saint to whore and back to saint again, all in one lifetime."

An angelic beauty seldom approached, an imposing presence both physical and spiritual, a natural and raw talent that has never, ever been equalled: Ingrid Bergman was meant to be filmed - and thank the muses she was, for what a great loss the world of cinema would've had otherwise. So... for Ingrid, Sam - play it again.

Favourite performance: Gaslight

Favourite films: Casablanca, Spellbound, Gaslight

Leading men of choice: Humphrey Bogart, Cary Grant

Friday, October 19, 2007

6. The Fairy Tale Princess

"Hollywood amuses me. Holier-than-thou for the public and unholier-than-the-devil in reality."

Her very face exuded class - a screen mermaid, a star... and, for the most part of the 20th century, the world's favourite princess. Elegant, beyond beautiful and the ultimate Hitchcock lady, Grace Kelly and her many facets will live forever in the screen and in her [grateful and adoring!] people of Monaco.

Favourite performance: Rear Window

Favourite films: To Catch a Thief, Rear Window, High Society

Leading man of choice: Cary Grant